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Marine Band Barracks, Washington, DC
Project
Overview
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Individual Rehearsal Space |
The
new U. S. Marine Corps Band Barracks Annex and Band Support Building
is sandwiched into the southeast quadrant of Washington D.C. just
a few blocks behind the U.S. Capitol building. The Annex houses
three separate rehearsal facilities that simulate concert hall acoustics.
The largest rehearsal hall will allow the full 160-member band to
practice together and offers some seating for special visitors.
In addition, there are 14 individual practice rooms to accommodate
small groups of musicians. The design-build team of Brennan Beer
Gorman Monk Architects & Interiors (Washington, D.C.) and Coakley
Williams Construction (Gaithersburg, MD) won the annex assignment
in December 2001 after a lengthy contracting process administered
by the Naval Facilities Engineering Command. Henning Associates
(Rockville, MD) was the acoustical design engineer, while Acoustical
Design Collaborative (Ruxton, MD), served as the band’s own
acoustical consultant.
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Smaller Rehearsal Space |
Between
the two firms, no sound was left unanalyzed. For the construction
team, achieving the right purity of sound has demanded a level of
detail that encompasses every aspect of the project’s mechanical,
lighting, flooring and finish requirements. "We spent an amazing
amount of time to get this thing right. The acoustical requirements
are the number one thing," says Capt. John R. Barclay, Executive
Assistant to the Band Director, "Everything else is really
icing on the cake." |
RPG
Announces Clearsorber™: The First Transparent, Fiber-Free Absorber
in Foil, Sheet, Panel or Honeybomb
The need for transparent or translucent, fire-safe absorbers that
do not contain any fibrous materials is growing, due to demands from
LEED, life safety regulations and designs requiring natural or artificial
lighting. To address these needs, RPG is now offering a broad range
of fiber free transparent/translucent absorbers called Clearsorber™.
Each product in the range owes its absorption to sub-millimeter diameter
microperforations, comparable to the boundary layer thickness, spaced
2-5 mm apart. When longitudinal sound waves oscillate through these
microperforations, significant viscous boundary layer losses occur
in the perforations, as long as there is an air space behind the absorber.
The range consists of 0.1 mm Clearsorber™ Foil (shown in photo),
1 mm Clearsorber™ Sheet, 2-15 mm Clearsorber™ Panel and
19 - 35mm Clearsorber™ Honeycomb. Clearsorber™ is a solution
for treating troublesome low to mid frequency noise and reverberance
in atria, lobbies, pre-function spaces, museums, botanical gardens,
convention centers, offices and worship spaces. Download
white paper and product cutsheets and contact your local
rep for samples. |
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RPG
Announces its new Architectural Binder
RPG is proud to announce its new Architectural binder containing Project
Profiles, Cutsheets for its 1D, 2D Diffusors and Absorbers, as well
as information on all of its Design Tools. Contact your local
rep for a free copy.
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Project Profiles:
Review projects and testimonials showing how architects and acoustic
consultants have used RPG products in schools, worship spaces, studios,
libraries, museums and performing arts centers in your neighborhood.
1D Diffusion: Select non-porous
architectural surfaces in wood, clear and opaque plastics, fiber-reinforced
gypsum and masonry that undulate in one direction for planar sound
distribution, creating uniformity, avoiding echoes and decreasing
harshness.
2D Diffusion: Select non-porous
architectural surfaces in wood, fiber-reinforced gypsum and fabrics
coverings that undulate in both directions for uniform hemispherical
sound distribution creating uniformity, avoiding echoes and decreasing
harshness.
Absorption: Select porous architectural
surfaces and finishes in fabric coverings, wood, absorptive plaster
and microperforated transparent plastics to absorb sound, decrease
loudness, decrease reverberation and control echoes.
Design
Tools: Learn about the latest architectural acoustic design
tools, including computer modeling and auralization, shape optimization
and variable acoustic electronic architecture. Learn the basic concepts
of applying acoustic treatment to specific room types.
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RPG
Announces SIAP Acoustic System’s Mk IV Acoustic Server™ |
RPG
introduced the SIAP MKIV Processor developed by SIAP Acoustic Systems.
The MkIV represents the next generation in electronic architecture
systems, offering the industry’s most powerful time constant
reverberation processor. The standard system offers 4 mic inputs,
6 line inputs and up to 64 outputs with up to 128 programmable FIR
filters, each with separate frequency dependent early and diffuse
reflections, density and length. Besides the standard system a small
room system with 16 outputs is also available.
The
SIAP approach is based on the principle of picking up only the direct
sound to fill in the missing reflections, so that each room retains
its unique sonic character. The SIAP MkIV Processor can also serve
as an acoustical server, which enables the system to simultaneously
provide different acoustical environments in several different rooms
or provide several different local acoustical environments in the
same room, as in a worship space. RPG will offer certification training
for acousticians and sound contractors in their facility.
A full color
brochure and DVD are available on request.
Everyone Should Hear It! |
ISO
Scattering and Diffusion Coefficient Measurement Methodology Standardized
Measurement and characterization procedures for scattering surfaces
now standardized.
In the past
30 years, significant progress has been made in designing, optimizing,
characterizing and now standardizing scattering surfaces. Acousticians
now can specify the scattering and diffusion coefficients, in addition
to the random incidence absorption coefficient. This research has
led to progress in room acoustics and computer modeling. Two standards
have emerged.
1. Scattering
Coefficient: A scattering coefficient is a measure of the amount
of sound scattered away from a particular direction or distribution.
This has the greatest similarity to the coefficients required as
inputs to geometric room acoustic models.
ISO 17497-1:2004
Acoustics -- Sound-scattering properties of surfaces -- Part 1:
Measurement of the random-incidence scattering coefficient in a
reverberation room (available in English only). To order go to ISO
Store
2. Diffusion
Coefficient: A diffusion coefficient measures the quality of reflections
produced by a surface, in the case of the AES coefficient, by measuring
the similarity between the scattered polar response and a uniform
distribution. It is a measure of diffusor quality.
2.1 "AES information document for room acoustics and sound
reinforcement systems- Characterization and measurement of surface
scattering uniformity", J. Audio Eng. Soc., Vol. 49, No. 3
(March 2001).
2.2 This information document is in the process of being added as
Part 2 to the ISO 17497-1:2004 standard. |
RPG
provides Bi-Weekly Acoustical Continuing Education Series Diffuse
Bulletins
Diffuse Bulletins provide acousticians with continuing education
series. dBv1i9 and dBv1i10 now posted.
Read More |

RPG seminars accredited by AIA Continuing Education System
RPG now offers four AIA/CES accredited seminars on various aspects
of architectural acoustics.
The Next Generation of Acoustic Finishes, Shapes and Services
( AIA/CES AF1011 1 LuHour )
Participants learn how recent innovation and technology has
resulted in a much broader variety of architectural finishes, shapes
and services that solve age-old acoustic problems in the built environment.
Acoustical
Diffusor Design/Computerized Shape Optimization
( AIA/CES DD1011 1 LuHour )
Participants learn the basic theory and history of sound diffusion
as well as why sound diffusion is so essential in critical listening
environments. A variety of methods, materials and products for diffusing
sound will be presented.
Minimizing
Acoustical Distortion in Critical Listening Spaces
( AIA/CES AD1011 1 LuHour )
Participants learn how sound reproduced in a critical listening
room can be affected, positively or negatively, by a room's architectural
surfaces prior to it arriving at the ears of a listener. A variety
of methods, materials and products for minimizing the negative distortion
of the reproduced sound are presented.
Desktop Acoustic Auralization of Architectural Spaces
( AIA/CES CA1011 1 LuHour )
Participants learn how recent innovation and technology in computer
modeling has resulted in a reliable method for predicting the quality
of a room's acoustics prior to its construction. Basic theory and
examples of its application in practice are presented. |
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New
Additions
Watch this section for new additions to the website. |
Recent
Completed Projects Q1-2005
Included is a partial list
of architectural, home theater and project studio completed projects.
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