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 SIAP

Most auditoriums have only limited acoustic flexibility. Audience and artists have become increasingly more demanding and require a first rate acoustic quality to do justice to the performance of a concert or conference.

This was the reason for a team of acoustic experts to develop a technology which resulted in a fully variable acoustic for auditoriums and other public spaces. Using the very latest electronic developments, the acoustic adjustment of the auditoriums achieved without any compromise to the performance quality of the auditorium. The resulting system is called SIAP (System for Improved Acoustic Performance). Each auditorium has its own unique characteristics.

SIAPThe SIAP system modifies the hall’s acoustic in a natural way by filling in the missing reflections from each surface and can even, electronically, move those surfaces to acoustically more desirable positions. SIAP offers complete control over the acoustic parameters of the room, offering the most subtle adjustments.

A technology is only of interest if it offers audible as well as measurable improvement for its users. The SIAP system can provide as little change as the improvement of clarity of speech and as much as the acoustic of a cathedral, providing audible as well as measurable improvement for the users of the auditorium. Here are the details of how your auditorium too can become really acoustically multipurpose.

Almost Invisible
The SIAP system, developed by SIAP B.V. at Uden, the Netherlands, consists of three principal elements:

— Microphones to capture the sound on stage and in the auditorium

— Loudspeakers discretely positioned around the auditorium to reproduce the missing reflections and reverberation

— Central equipment comprising an advanced digital processor, amplifiers, and a control panel for selection of the acoustic settings and other functions such as line input and line output

Once installed and tuned, these three elements will provide a significant yet subtle improvement of the acoustics by influencing both the early and late sound energy in the room. The result is astounding — the sound remains natural and the auditorium takes on a new and much more satisfying dimension for artists and audience.

Abstract
From ®The History of Electronic Architecture and Variable Acoustics” by

Wim Prinssen, SIAP B.V.
Uden, The Netherlands

and

Dr. Peter D’Antonio
RPG Diffusor Systems, Inc.
Upper Marlboro, MD, USA

In this brief history of electronic architecture, we attempt to apprise the reader of the various developments that have led to the System for Improved Acoustic Performance. We describe three paradigm shifts which have taken place in the almost 50 years of electronic architecture development. The shifts from "single purpose" to "multipurpose facilities", from "acoustic feedback systems" to "discrete reflection generation systems" and from a superimposed "complete acoustics approach" to a complementary "optimized performance approach". We begin with a description of how our society is moving from "single purpose" toward "multipurpose" facilities and how the needs for variable acoustics are best met through DSP based electronic architecture approaches. The advantages and disadvantages of three generations of electronic architecture systems are presented. We describe a shift in philosophy from acoustic feedback systems to a new digital DSP based system which simulates reflected sound the way natural reflections and reverberations are generated in a real room. We then describe the last paradigm shift where the goal is to analyze a room's deficiencies and improve performance by supplying the missing directional reflections and reverberation rather than superimposing the sound signature of another room. We conclude with a detailed description of the SIAP system. It is our hope that this review puts present day systems into perspective and informs the reader about the features and benefits of the SIAP approach.




Home: Products: SIAP®

The Most Powerful Electronic Architecture Enhancement System from the Acoustical Industry’s Leading Innovator

The following PDF documents are available for download. To view these files, please download Adobe Acrobat Reader.

SIAP MKIV Product Information (191Kb)

Application of an acoustic enhancement system for outdoor venues (252kb)


The History of Electronic Architecture and Variable Acoustics (10.8Mb)

Using Acoustic Enhancement to Improve Speech Intelligibility (1.24Mb)


Specifications
Testimonials

Installations

The Microphones
Installation and positioning of the small number of microphones depends on acoustic factors and a position is chosen which is out of the audience’s primary eye line and clear of any loudspeakers or lighting hoists in the auditorium. The most usual position is high above the forestage in the auditorium.

The Speakers
High quality hemispherically radiating loudspeakers are used. These allow a very even coverage of the whole auditorium (from each loudspeaker) including the stage. This arrangement provides a correct apparent source of sound so that the audience can acoustically identify the artists as they move around the stage. Furthermore, the sound is without any coloration and is completely natural. Loudspeaker positions are determined for each hall individually and are as discreet as possible, thereby making the system almost invisible. For certain applications (such as speech reinforcement for conferences) directional loudspeakers may be installed.

The Sound Processing Equipment
The SIAP processor is completely digital. The resulting dynamic range is better than 95 dB, which exceeds the dynamics of a full symphony orchestra. Sound levels of more than 100 dB(A) can be produced without distortion and without background noise (NR 15–20). The acoustic parameters programmed into the processor for each loudspeaker are, among others,:

The reverberation time in the full audio frequency range

The level of reverberation (loudness)

The reflection density of the reverberation

Delay time, level, direction, and frequency characteristic of the early reflections

By this means, the typical characteristics of each auditorium shape appreciated by musicians and audience can be created (shoebox, elongated hexagon, etc.).

Processor: 24 bits

A/D and D/A conversion: 18 bits

Frequency response: 20 - 20,000 Hz ± 0.5 dB @ 44.1 kHz sample rate

Phase linearity: better than 5°, 20 - 20,000 Hz

Cross talk: better than 90 dB, 20 - 20,000 Hz

THD+N: smaller than 0.01%, 20 - 20,000 Hz

SMPTE IMD: smaller than 0.01%, 20 - 20,000 Hz

Time delay:
Analog in: 2 milliseconds @ 44.1 kHz

Analog out: sample rate, no processing

Inputs and outputs: XLR balanced (floating)

Environmental requirements:

Temperature: 0 - 35°C

Humidity: 20 - 95%

Dimensions:
19'' Frame mount

6 Units high, + 2 for ventilation

Recommended rack depth: 800mm

Input Sensitivity:
0 dBu with 48 volt phantom power, -60 dBu switchable

Card Slots: 21

Noise emission:
ca. 42 dB(A) at 1m distance in front of fan

Heat dissipation:
Maximum 200 Watts


SIAP B.V. reserves the right to make changes in manufacturing which may alter specifications
Copyright 2000, RPG Diffusor Systems, Inc.
651-C Commerce Drive, Upper Marlboro, MD, 20774, Phone: 301-249-0044, Fax: 301-249-3912, E-mail: info@rpginc.com