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The
Triffusor® has its origins in an ancient theatrical device called
a periaktoi (Greek for ®revolving) by which a scene or change
of scene was indicated. It was described by Vitruvius in his De.architectura
(c. 14 BC) as a revolving triangular prism made of wood, bearing on each
of its three sides a different pictured scene. While one scene was presented
to the audience, the other two could be changed. Although it was once
thought to be a feature of Greek classical drama, it is now believed that
it did not originate until the Hellenistic age.
The
periaktoi was revived, notably for the Italian theatre around 1500 and
for the 17th century English stage. We have reintroduced the concept of
periaktoi to the 20th century with an acoustical "twist". The Triffusor®
is a rotatable equilateral triangle prism with absorptive, reflective,
and diffusive sides.
Variable Acoustics
The Triffusor® was developed to make completely variable acoustics
a reality. Triffusor® modules can be arranged adjacent to one another
in a linear array so that they form a surface of any desired acoustical
character. These arrays combine the basic acoustical building blocks of
absorption, diffusion, and reflection.
With the Triffusor®, small rooms take on a flexibility not possible
before. You can easily adapt to the requirements of a particular situation
and not be locked into a fixed acoustical environment. Even large rooms
can be made more versatile by using movable Triffusor® partitions
or gobos to alter the localized acoustics. The Triffusor® can also
be flush mounted to form a variable acoustics wall.
The effect of almost any acoustical treatment on the binaural perception
and enjoyment of music can easily be demonstrated by applying Triffusors®
along the walls and corners of a room. One can experience the effect of
early reflections on stereo imaging and frequency coloration, the difference
between the sensation of high localization and high spaciousness in a
listening situation, the correlations between spaciousness and lateral
diffuse reflections, and the benefits of a diffused rear wall.
Installation
Triffusors® should be mounted on a platform with height adjustments
to compensate for floor irregularity. Rotation can be accomplished by
using a quarter inch dowel or "lazy susan" type bearing to connect the
center of the Triffusor® base and the mounting plinth.
Dowel holes and bearings should be positioned so that Triffusor®
modules meet at their edges when in position. Mounting hardware is not
supplied. Triffusors® can also be stacked atop one another when taller
columns are needed.
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Home:
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Triffusor®
When your design calls for variable acoustics or acoustical scene changes,
specify the Triffusor®.
| Applications
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The Triffusor® is a variable acoustics module which can
be used anywhere a versatile acoustical environment is required:
Recording and broadcast studios,
voiceover booths, orchestra pits, TV and film shooting stages,
acoustical set designs, rehearsal rooms, home listening rooms,
sampling and Foley rooms, audiophile dealer showrooms, music
education and psychoacoustics laboratories, CD and other media
evaluation rooms. |
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| Specifications
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Acoustical Data
Absorption Coefficients
Product Details
The standard Triffusor® is available as an equilateral
triangular prism 47.25" high with three 23.625" sides
Weight: 40 lbs
The diffusing surface is a QRD®
734 module with a standard hand rubbed natural birch laquered
finish
The reflective side is also natural birch
The absorptive side is covered with Guilford of Maine FR701
#298 panel fabric
Custom finishes are available |
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Diffusion
Absorption
Reflection
Combination
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